HATHOR PRE PRODUCTION PAGE

Hathor is a very important epic film for it is a real memory of that time from a past life like the movie Nibiru was.  Hathor follows a few thousand years alter after atomic war over Earth s radiation was gone and key areas like Karnak Luxor Dendera Abydos to Cairo was built all in a row. This film is an epic story of the key big gods that all of ancient Egypt has spoken of Hathor Horus the Elder, Anubis, Amun, Tehuti, Maat, Bast,  Ptah and more.  The film features historical facts never before revealed from the authors own story remembered thousands of years ago with help of reading the left over information written on the walls that I interpreted correctly and remembered.    In the future this film may impact history astronomy and sciences as well we will see so it is of great importance.  Notes on the story of Hathor and Horus are also in the Blue Birds of Paradise page most VIPs are reading and some public.  The story is written with the large size of the beings in mind to help others remember if they were there too!  I was told though I thought they were 40 feet tall they may in fact be up to 100 feet tall in size this great ancient race meaning the andromedans flying over earth would have been tiny in comparison for they are the same as are here over Earth today a few of them so it is a reversal of size now!  In addition we had our own huge space ships back then talked about in the movie and key things in our history that were like riddles are decoded that will make you laugh.  The story is very touching and endearing as well as filled with valuable information and adventure.  

Surely it will be nominated for awards.  I have put together photos relevant to the areas around Dendera, Dendera and notes for production to consider for this Epic film.   We require the best production team and budget for this important film and graphics digital imagery for things such as lions space ships re visitors etc.  WHOLE MOVIE IS MY STORY NO ONE ELSE CAN CLAIM ANY RIGHTS TO ANY OF THE MATERIAL NO ORGANIZATIONS OF NEW AGE TEACHINGS EITHER.

TARZAN MOVIE - the graphics guy who did the apes stunning we could use that level of graphics for the lions also in the movie Bast breeds. 

Dendera tablets from walls:

 

Karnak the king with the power of the electric light.

 Karnak area Bast's people. 

 Karnak.

 

 

Hathor pre Nut same being reincarnated later.  From Dendera temple of Hathor.

PRE AKHENATEN HORUS

Entity KA-T 

ENTITY KA-T WITH  ANUBIS IN THE GARDEN OF THEIR PROCREATION COURTSHIP. 

For the sets the idea is to have the look as if the people have the city built to scale not like when we walk through the ruins so some report they were up to ninety feet tall so the sets are as if we are there as the actors and we are super tall like back then so everything will appear lower for the film sets thankfully fat less work! 

The space ships were  round like the Andromedans satellite up top ships but ours were gold plated with glass in the front for viewing out and short wings. 
UNFORTUNATELY IN MODERN TIMES ALL THEY SEEM TO REMEMBER IS WINGS AND MAKE THE WING
SPAN TOO BIG FOR ANTI GRAVITY. SO MAKE SURE THE WINGS ARE ONLY DECORATIVE. YOU CAN LOOK AT MESOPOTAMIAN CRAFT LIEKF OR THE MOVIE NIBIRU IN MESOPOTAMIAN TEXTS THE SHIPS WERE SAME BUT WITH A BIT OF A TAIL AND WINGS WERE ETCHED ON THE HULL ONLY.  MESEOPTAMIANS MAY HAVE MINED THE MOON A BIT FOR IT HAS PRECIOUS METALS LIKE PLATINUM AND DIAMONDS IT IS SAID.   

They were also enormous and much slower to carry such huge people but will be built to scale.  Andromedans would appear smaller than we do to them today they are around 11 feet tall the tallest of them so their ships would be to scale to the tall Egyptians.  Note that the andromeans also likely were taller at an earlier time however some ascended flying today in their current ascended body in the height range I mentioned, were there also and said they did not engage them much the early Egyptians they were huge.  Pedestal lights they built were like sculptures they wired from within and lit up inside with bulbs.  

The dress of Hathor is some papyrus paintings is made of the microscopic shape of the cells of the eye.  There are other patterns repeated in Egypt that are in fact the awakened observer compressing super strings painted all over the walls its ropes depicting instructions it followed to build something in the community or enacting some activity.  In fact there was no religion there at all the temples were 'trades' centers for learning for commerce and way of life mostly.  Where religion took the cross and left out the loop that represents the nuclear force of the sun unseen but in power (we use this in gamma waves of the brain that can bring down a chunk of gold from the vacuum into your hand when you ascend) they left out the most important teachings. 
As for manifesting gold I've done this and ET's stole it to study me.   So we use nuclear force that our DNA can miraculaousy accomodte through hyeprsapce as it is called; a faster space time of a much higher vibration.  That is why ascended people don't stay up there in hyperspace some andromedans do during ships meching but they come back down to solid body later like human ones can.  So if you study microscopic slides of the body's cells you'll find they used several the eye ones also bones microscopic cells have the square swirl used till today on furniture, buildings and walls, and others.   These may be used as part of the decorum of these awakened beings who were so or they'd be moving too slowly using motor cortex as their brains were the size of a small room!  

Remember you are building a culture set and costumes etc of totally awakened beings who wer aware of eveything round them as living subatomic mass even and manifesting from the power of the sun within them nuclear force!

They used decorative aspect of baobab flowers around the temples a lot I advise doing up some fake flowers from these trees for the sets with large bowls of fruit sitting around which they consumed profusely all day for it was very hot. Most sets for Egyptian ancient times have the artifacts correctly reasonably however they do not have the decorative aspect from natural items added much.  Add winged insects from rain forest flying through if you like with transparent shiny wings etc.  to make the atmosphere more interesting. One graphics animals containing movie recently made was the Tarzan with graphics apes that were very realistic; that we need for the lion sequences and snake in the jungle and babies also could be done this way of Hathor. 

RE GIZA has an ante room that looks like gold was stored in it or a sarcophagus.  They put a much smaller one in there later with smaller statues.  

RE use of music and slow motion to illustrate size of these gods.  Camera angles to make them look more massive and tall obviously will be used as well as music suggested produced:  this is very important it will allow all humanity to remember the bigger size large deeper sound flutes, some digeridoo, large horns, bas drums anything that has elongated sound because FOR OUR SIZE NOW MUSIC IS SPED UP so measure for a 40-90 foot beings what would you produce?  Some of this should be in the film when you have scenes of them walking powerfully or sitting focusing use this music it is to demonstrate the massive power of the divine observer housed in those huge, tall biological forms that is the key used with a little slow motion not over the top when applicable and your camera angles that enhance powerful presence on screen as massive powerful gods through some sequences. 

Also on music I would do a mix more period like music for their time and if you are really good with the music maybe a few house style rock music that has nothing to do with old man at RSE organization who used it during his events there. We need no limitation on creativity with associations running society I'm sick of it.  They like old 70s rock I hate it I like super modern rock.  They don't use it I listen to it.  Creed is good a good new band.   I don't want Auy on this one they were small gods back then we were huge we don't need the old RSE mec I don't want any andromedans from it working this movie not consented to he was tuck on gene from kiss and prince any way and Madonna we don't have to sell World Tour off it then who left me poor doing this off my writing before and got into big trouble as you know. Auysantan said, 'don't take me for it it will be  very good movie good but if you did wed sell off you.'
Lyricus is also not consulted creatively on it it is mine however they love the movie fyi.  Let's say if anyone on earth thinks they were them besides me writing it they can refer them to the film and make it more successful!  They agreed to this I thanked them.  Lyricus said if you need anything let us know without WT strings voluntarily fyi.  So did RSE!  But they said be careful if JZ is unhappy she grabs for sales.  BUT THEY WERE VOTED OFF ANY MESOPOTAMIAN OR EGYPTIAN CONTENT I WROTE BY GC YEARS BACK. We have starlight's BME boats for sure to help.  
Andromedans usually jump other boats and intent is not to sell for old one if they do this  fyi if they work for others. People must respect it and not spy where they are claiming their work for their profits.  

Now the rock music scenes should go around Anubis so hes a tough nearly bad dude with a soft side for his friends. So he is super huge slick and cool in the movie for fan appeal with good dialogue kept so it is not a stupid flash in the pan cheap action flick that goes to video fast this is for academy awards this show without dry period piece traditionalism.  So go for good composers, no oldies if you go ,ore modern as song I recommend. Scenes of funerary rites can have this near dark aspects with the rock however they will understand what it is. The film does not haves any violence really so maximize the tension moments of seeming 'dark content' which is tongue in cheek that this will keep the element of surprise the dramatic music.  Also modernizing music may make it more appealing for younger audiences as well as older with them fr example cheering during rock sections for Anubis on screen for example appeal like a concert that is the idea for a wide audience to love this movie also for Horus and any phenomenon.

Entry of Key characters into scenes may have this musical diversity re Hathor; deep flowers blooming in the jungle trees with an edge of near danger but it is an illuminating initiation for example for Hathor, Horus; slightly mysterious intrigue with an edge of power, Bast; sensuality and sounds tht compliment the big cats environment around her, Ptah almost intellectual power with an edge of mystery,  Tehuti was the medicine and design scribe of holism with Maat with deep, calming sounds when he arrives, less edge.  Amun and Ankhness is deep more ancient sound they re parents of Horus of carrying the gifts to the children less amplified as they are getting older and the kids re taking over the stage; more intricate instrumentals for their older DNA's gift with their music with slight mystery there too.  Egyptian music has an edge of mystery my favorite album was Egypt Cargo it is too sped up for the film however it is our human brain size recording so work with what I told you if you elongate something along those lines and deepen it and add modern rock songs for Anubis at the Sphinx in the burial chamber you'll have it.    Creed is more a Horus sound find something good for Anubis not sure if they are right production will find it I'm sure if you like any of these suggestions from the author's intent for the film. Instrumentals mainly you need and if it is rock with any lyrics or other songs lyrics for the new film takes it out if any dated connotation of stale.  

It will be a big epic spare no expense but if you have new talent also that can fit in for sure. Older characters say 45 plus are Tehuti Maat, Ankhness, Amun, and even Anubis can be middle aged. So there is room for A list too on it who may be interested and looks healthy and fit only.  Oldest were Amun Ankhness and Tehuti and Maat they aged like good looking stars who don't show their age much.  Ptah and Bast were younger around same age or a little older than Hathor and Horus. REMEMBER IT IS LIKE THIS EVEN THE SNAKE SCENE BETWEEN TEHUTI AND ANUBIS IF YOU SHOOT IT RIGHT PEOPLE IN THe AUDIENCE ARE SAYING HOLLY SHIT THESE GUYS ARE POWERFUL AND BIG so violence in the movie would have had them ducking. That is the problem with most Epics on ancient Egypt it looks like stupid small humans running around with high voices not believable.  Make this one believable they were massive and powerful. Even slow and deepen voices if you can or cast people with deeper voices who speak slowly. Go to town on it and it will roar.
Someone asked waht about black? They painted this red clay stuff for sun protection on themselves so they were green and gold eyed red brown hair most of them. So it is not really an all black or Hispanic movie however Hathor and Horus wee white so was Tehuti Ptah Amun and Enkhness however some Latin people could play it well also Nubians were later in Egypt however for fun you could make Bast a black lady the personality of her suits it well everyone looked tanned from the sun so it does not matter much if you mix races. It is nor a racial statement film for who the origins of the people on earth were as race however.  Also their eyes shone very bright transparent eyes greens golds blue greens, copper so that use real or contacts is possible for the eyes to be very bright and luminous.  Nubians came alter and were likely African people who joined the kingdoms later when they grew and needed more community staff.  Some were Queens much later also like Tyie who was black and in other Dynasties.

The pyramids were gold plated all of them were so was the sphinx it all wore off from the years also there was a blue laps lazuli capstone on the top that is why there was an air shaft there to affix it so it looked like Ptah's helmet who flew the gold in his space craft. They were decorated to symbolize the  gold mining beneath the pyramids.  No diamonds were worn by the Egyptians; diamonds may have been used in the space ships as crystals of a very high concentration to amplify the and it gravity and momentum like crystals are used in electronics to day in a similar fashion. Please review the Hathor information on You Tube Play list from the author:  Aryana's New Movie Pre Trailer Info for more very important notes by the author on the writing of this film and where history covered up stuff that will make your hair curl.

Also the main page after profile of Starlight'sdate blog has info on this topic also.  The public is expecting it from the blog and videos it should do very well at the box office and if produced well it will win mega awards.        

Re the space ship again it is inlaid wings not protruding from the sphere of the hull.  To make sense according to space craft technology of anti gravity. 

BLUE BUTTERFLY EFFECT - SYNOPSIS

BLUE BUTTERFLY EFFECT

- Marilyn 

LOG LINE – The Blue Butterfly Effect is a story loosely based on the author’s experiences with the evolution of her holistic energy science practice introducing her artwork of blue morpho butterflies and the adventures that occur.

SYNOPSYS – The blue butterfly effect begins with the author stranded without an apartment. She sits at a local temporary housing center outside in the night and looks at a tree realizing a tree is a tree anywhere you look at it and so we are in a state of prosperity nonetheless in challenges.

Aryana and Lydia sit and discuss the origins of the blue morpho butterfly in its possible creation of great mystery.

Aryana finds a nice rental and begins to paint her art collection of blue morpho butterflies.  She sees a series of Blue Matrix Energetics clients who describe their dilemmas to her and she helps them through their challenges.

Aryana meets Catherine who is a reincarnation of Catherine de Medicci they have discussions on what was hidden as the female alchemist Dianne de Poitier (who was Aryana’s past life)they have a series of clandestine meetings to discuss past life memories both are having about their lives.  Aryana also meets the reincarnated Hera Lois who is highly psychic as Hera was in her time and Meghan who is Madame Bovary reincarnated.  The four women bond in friendship and spend time exploring their past life experiences and what it means in the current life times they are living to apply their gifts. 

Aryana keeps painting the morphos and begins to sell them for a million dollars each.  Purchasers of the art begin to have incredible dreams of rich memory about why they are here and what is coming for them to experience after purchasing the artwork.

Triten a student’s son begins to teleport all over the place from the practice of BME and avoids an abduction when he escapes a criminal who follows him home from school. Triten runs home and teleports safely into his house away from danger. Their parents arrive later to purchase a blue morpho painting from her.

Aryana’s discussions with Lydia on the deep mystery of the blue morphos origins grow more intense as they discuss the shooting down of a falcon a preserved bird and how it hit the ground dead and the event was captured with the blue butterfly being created which wears the underside of the dead bird including bullet wound on its wings with shrapnel and blood shown in close-ups of the winged pattern.  An incredible design with shimmery blue wings on the surface of the butterfly making it a divine mystery. The two women speak of the irony of the design when there were such challenges over earth with the course of events that had taken place over the previous few years leading to people wanting answers and a way out of fear to empowerment. Aryana had taken the blue morpho as a logo years prior so after all the turbulence occurred there was the energy science of BME to train the collective to a higher awakened mind out of the chaos. Concepts like reincarnation and realization are strongly presented in the film and a poignant evolution of each character with humor as the author’s signature style of writing usually includes in the story biting humor that reveals a wisdom.

Meghan decides to write a movie about past lives which will include the stories of the four women as the movie progresses.  Catherine finally realizes that when Henri II died her sunshine as she called him went out and a great madness possessed her she threw Dianne out of the castle they shared to never have the gaiety and laughter of the friends without Henri in her life again.  She apologized for the friendship break up at that time to Aryana and to celebrate a new life with new friend ships she purchased a blue morpho painting from her as did the other women one by one coming in near secretly to see her to choose their masterpiece they coveted to finally take one home. All the women had spectacular night time reveries and magical occurrences from the art work.

Questions surface about Aryana’s abilities of super phenomonon as an adept energy science master and alchemist in modern times. She produces startling phenomenon for her female friends to see finally at the end of the film.

Aryana’s BME event is shown at the end of the film with people running to it tripping over each other, finally making it to the Hotel to find her with mild humor as the enthusiastic bunch arrive.

TROPICAL HEAT WAVE HITS PARADISE - SYNOPSIS

TROPICAL HEAT WAVE HITS PARADISE

- Marilyn Starlight

LOG LINE – Tropical Heat Wave Hits Paradise is a black comedy about Marilyn Monree (loosely based on the author’s real past life character Marilyn Monroe) vacationing at the Paradise Club Resort in the tropics.

SYNOPSYS -  Marilyn Monree desires to vacation at her favorite resort in the tropics only it’s been sold to a mysterious business owner and redone to serve a private couples only clientele.  Marilyn is single so she hires a male escort Hans to accompany her for the trip.

Two other couples both business professionals seeking vacation fun and light hardheartedness in the sun, Wendal and Qyunn and Jane and Lyle book at the same club for two weeks.

Marilyn arrives at the club with the beefy Hans he is like her private masseuse combined with errand boy and later ‘imperfect love interest who is very good in the sack.’  They find their room debate if she is a neo Nazis hiring a man with blond hair (they both do) in a stimulating conversation he sneaks under her covers and goes down on her on their first night at the resort.

Quynn and Wendal exchange poetic dialogue and enjoy the resort Jane and Weldal finally relax from their type A life at the office and worrying about losing deals while they are away is abated.

Marilyn and Hans’s sex life heats up.  They venture out to the beach and see seven men Latino ones hiding in trees after one spits a spit ball from a straw at Hans’s neck. They come down off the trees surround them they predict they will see more people like her and perhaps him with bright, innocent and clean in energy presence at the resort one day; they leave them and the couple has a nice afternoon on the beach.

Marilyn and Hans debate life working as a male escort the reason why she can’t date him when she gets home and general contentment at vacationing. Lyle meets a man in town who is a distributor for the super high IQ 92 pill which costs 3000 dollars to take to change your life to be awakened and genius mind. He becomes a distributor for the pill secretly and arrives at the resort with the pill.  He does sales rounds and approaches the resort patrons and sells the pill which to their astonishment simply stops their hearts for a bloody three grand! 

Marilyn and Hans find dead vacationers from the snake oil pill out for their NDE’s in the morning and call for help upon arrival of help they find more people lying in their beds dead.  The experiences finally come back to the body and share their odd NDE experiences.  

Marilyn and Hans find Tino the sinister owner of the club dead also and he comes back furious that he paid 9 grand for the experience!  He wants everyone to be cheated like he was he decides. 

In the dining room violence ensues where Lyle was selling more super High IQ 92 pills. Tino comes on to Emma a guest at the resort he wants her to experience an NDE she refuses so he hits her on the back of the head with a serving tray and strangles her she dies he revives her.  She then hits him with a vase he dies is revived they kiss and form an odd pairing to Marilyn And Hans’s horror looking on from another table. More chaos ensues as some experiences of NDE’s want to be together on coercing business or exclusive as friends while others are unsure. 

More guests share their NDE experiences and Marilyn says, ‘I’d rather be alive rather than chasing death for personal power.’

The end of the trip arrives Quinn and Wendal fantasize about buying the Paradise Club if it was for sale. Tino meanwhile abuses Emma strangling her again.  A distressed male vacationer takes council fro!m Marilyn after he’s confused from all the NDE’s and his life.  She tells him, ‘follow the blue butterfly!’

On the last day Emma is seen escaping the resort with strangulation marks on her neck she finally is leaving Tino refusing to marry him. One of the Latino men finds Marilyn and tells her to follow her knowingness no matter what and leaves her. Before he leaves after having accosted her with a spit ball he tells her Tino is deathly allergic to Honeysuckle fragrance her favorite. Tino appears in the lobby she bids him goodbye with a sultry kiss after putting on fresh fragrance and he drops dead of allergic reaction.  Marilyn then sees some of her clients arriving at the club for a vacation she calls them, ‘almost golden humanity’ as blue butterflies accompany some of them as they enter the resort refreshing its energy as the NDE bunch some of who became corrupt leave.

Hans and Marilyn leave the resort catch a cab and Marilyn states that true paradise is the nature prolific Earth our home planet and the enjoyment of it in life.

TROPICAL HEAT WAVE HITS PARADISE - CAST OF CHARACTERS

TROPICAL HEAT WAVE HITS PARADISE

- Marilyn Starlight

Tropical Heat Wave Hits Paradise is a surreal, black comedy with high style of glamour like the old movies of the earlier ages where all characters looked like ‘movie stars’ of the 40’s and 50’s with a little retro styling; hair, make up, clothing is ‘high quality’ looking with that ‘ retro style.’ Dark humor is optimized with glamour styling (reminiscent of 30’s and 40’s mobsters with brilliantine hair and good suits). Though the film is set in a tropical beach setting the glamour prevails as if it is set in the 40’s and 50’s but in modern surroundings making fun of ‘old mind that is brilliantly cast as younger people set in modern times.’ The premise of the movie brings back Marilyn ‘Monree’ as if transporting Monroe from the past life of her movie career to this surreal reality in modern times as well. Acting in intimacy therefore is deeply and intensely passionate like in the earlier movie style of performances to enrapture the lover with gratifying lighting and lingering shots on faces, décolleté, like 40’s posters of stars sensualised for *hot hot hot glossed* quality of visual sensuality. Message with this dark comedy is this:  it is very slick, well filmed, understated near dead pan humor delivery, with cinematography looking over the top glammed up on close ups, love making scenes and other scenes the director will ‘highlight’ in this way. The best acting only is desired for auditions; nothing cheesy or over the top only slowed observation and delivery for poignancy if it applies to the character reading getting the most out of a close up as done in movies of earlier ages yet nailing believability.

CAST OF CHARACTERS

LEADS:

WENDAL – Black male, 30’s to 40’s, fit, dazzling smile, handsome, articulate, tender and introspective, affectionate, dress stylish casual; partner of Quynn.

QUYNN – Black female, 30’s, girl next door with some intensity in the eyes, slender, fit, intensely focused, good listener, empathetic, affectionate, expressive, warm, dress stylish casual; partner of Wendal. 

JANE – Female, 30’s to 40’s, fit, attractive, intense gaze, affectionate, expressive, contemplative, battling with dark side a bit, dress casual; partner of Lyle’s.

LYLE – Male, 30’s to 40’s, fit, corporate slick look, arrogant, intense gaze, affectionate with an edge of manipulation, dress casual; partner of Jane’s.

MARILYN – Female, 30, cameo for author; real Marilyn Monroe reincarnated, blond, slightly simplistic expression about pragmatic facts yet subtly mysterious about contemplations and deep observations she lets out unexpectedly for great dialogue revelation.  Sensual, assertive like an executive and highly expressive about her thoughts on any given situation. Modern day Marilyn like character with tongue in cheek humor about reincarnated identity suggested in the movie. Dress holiday casual; Marilyn Monroe reincarnated and companion of Hans the escort.

HANS – German male, blond, 30’s to 40’s, dazzling smile, handsome, fit, antithesis of sleazy or cheap stereotype, more like a man you’d meet at the local gym, simplistic observations, sarcastic wit with serious delivery, madly in love with Marilyn, dress holiday casual khakis; escort Marilyn hires. 

PRINCIPALS:

TINO – Latin male, 40’s to 50’s, fit, dark good looks, brilliantine waved hair, slightly dated silk evening suit worn all day, Casanova look, intense eyes, mysterious, violent, drawn to dark side, smooth but a little over the top; manager and owner of Paradise Club resort for couples, Emma’s deranged love interest.

AMIE – Female, age six, tender and loving, giving, dress casual; little girl who gives Marilyn a seedling.

HOST – Ethnic local looking male, 20’s to 30’s, fit, pleasant and friendly, confident, dress formal host  attire suggested (dinner suit with white shirt and slender tie or bow tie); Host at the Paradise Club dining room.

ANDREA- Female, 30’s, attractive, flowing hair, dazzling smile, fit, nice figure, full breasts, friendly, confident, corporate mind; assistant manager at Wendal’s office.

MAID – Female local, 30’s, average looks, efficient, shocked at finding NDE victim in resort room; chamber maid.

MAN ONE – Latin male, 30’s to 40’s, brilliantine hair and goatee beard, fit dancer body, intense gaze with playful side, choreographed to move around Marilyn and Hans as if almost doing a dance number. These seven men emulate the Movie; ‘There is No Business Like Show Business’ male dancers in ‘Tropical Heat Wave’ production number. Dress beachy, casual pants to the knees with no shirt; Man on beach.

MAN TWO - Latin male, 30’s to 40’s, brilliantine hair and goatee beard, fit dancer body, mysterious yet playfully friendly choreographed to move around Marilyn and Hans as if almost doing a dance number. These seven men emulate the Movie; ‘There is No Business Like Show Business’ male dancers in ‘Tropical Heat Wave’ production number. Dress beachy, casual pants to the knees with no shirt; Man on beach.

MAN THREE - Latin male, 30’s to 40’s, brilliantine hair and goatee beard, fit dancer body, mysterious yet playfully friendly choreographed to move around Marilyn and Hans as if almost doing a dance number. These seven men emulate the Movie; ‘There is No Business Like Show Business’ male dancers in ‘Tropical Heat Wave’ production number. Dress beachy, casual pants to the knees with no shirt; Man on beach.

MAN FOUR - Latin male, 30’s to 40’s, brilliantine hair and goatee beard, fit dancer body, mysterious yet playfully friendly choreographed to move around Marilyn and Hans as if almost doing a dance number. These seven men emulate the Movie; ‘There is No Business Like Show Business’ male dancers in ‘Tropical Heat Wave’ production number. Dress beachy, casual pants to the knees with no shirt; Man on beach.

MAN FIVE - Latin male, 30’s to 40’s, brilliantine hair and goatee beard, fit dancer body, mysterious yet playfully friendly choreographed to move around Marilyn and Hans as if almost doing a dance number. These seven men emulate the Movie; ‘There is No Business Like Show Business’ male dancers in ‘Tropical Heat Wave’ production number. Dress beachy, casual pants to the knees with no shirt; Man on beach.

MAN SIX - Latin male, 30’s to 40’s, brilliantine hair and goatee beard, fit dancer body, mysterious yet playfully friendly choreographed to move around Marilyn and Hans as if almost doing a dance number. These seven men emulate the Movie; ‘There is No Business Like Show Business’ male dancers in ‘Tropical Heat Wave’ production number. Dress beachy, casual pants to the knees with no shirt; Man on beach.

MAN SEVEN - Latin male, 30’s to 40’s, brilliantine hair and goatee beard, fit dancer body, mysterious yet playfully friendly choreographed to move around Marilyn and Hans as if almost doing a dance number. These seven men emulate the Movie; ‘There is No Business Like Show Business’ male dancers in ‘Tropical Heat Wave’ production number. Dress beachy, casual pants to the knees with no shirt; Man on beach.

AMNESIA 1970'S REBELLION - SYNOPSIS

AMNESIA 1970’S REBELLION

-Marilyn

LOG LINE:  Amnesia 1970’s Rebellion is an erotic film set in the early 1970’s fashion world post 1960’s LSD party scene where Anna the head designer of Hite Fashion House suffered a date rape.

SYNOPSIS: In the opening scene Anna is applying make up to a model wiping blush Gabrielle her partner has applied after reliving the memory of an LSD party 10 years earlier where she was raped unconscious from the drug by three men. Her new mod designs are monochromatic face and beige neutral color with blacks and brown to move conservatively away from the troublesome past of psychedelic out of control color and style. Gabrielle wonders about Anna and then Anna meets Kirk a gorgeous male model she falls for.  On a night out on the town she invites him into their limo for their party and she ends up bringing him home with Gabrielle her lover.  Intimacy builds between the three lovers to erotic climaxes through growth of their relationships as the story progresses in cinematographic picturesque style of artistic photography.

Nancy is in a horrible relationship with her husband Fred who neglects her in his own depression she has an affair with Keith a UFO serious buff at one of his gatherings to contact UFO’s which fails that night so they make contact in the bedroom with each other.  Nancy leaves Fred after a horrible night and shows up on Keith’s door step with her luggage.  He lets her in and they discuss the future of her leaving Fred as he helps her.  

Gabrielle and Anna continue to have great lovemaking with Keith while they launch a new women’s fragrance.  Warren a bedroom D and S type invites Anna over to participate in something mysterious supposedly to help her develop her perfume Gabrielle end sup attending instead.  To her surprise he offers to tie her up to do a D and S sex session with her she is shocked and refuses.  She sits and he demonstrates on his wife Elspeth the means to his madness having used light bondage and whip and orgasm denial till she cooperates to reprogram her from her former hippie’s state to high fashion icon she’s known for in magazines through his fashion house.  He offers to do her next for perfume development she runs out of his house to get out of the intense environment.

 

Gabrielle and Anna discuss the episode and later with humor they try some light bondage without torment to succumb to another mind or any manipulation as the lovers experiment in their own arena of relationships sexuality and psychology.

The perfume Rapture is launched finally to a great success with a new sultry model they hire.  Next is a men’s cologne they design inspired by Kirk Heavenly Man. Both fragrance concepts they bring into the bedroom for inventive lovemaking to be an inspiration to the design of the fragrance for that is what it is usually designed to evoke an emotion of the lover looking for another or coming together. Kirk lands a great photo gig for the fragrance as its head model for Hite Design House.

Keith is in love with Nancy and is writing a book on ET’s and UFO’s he is interviewing other subjects who were engaged by UFO’s.  He is hot on the trail of other stories.  Nancy is engaged by a mysterious ship and light that transmits to her to leave Fred and that her mind will be filled with new opportunities.  Fred interviews her and others for more information on the topic till finally he is invited to a radio show on the topic as a guest to his elation.

Heather Anna’s sister finds out that her husband Ben has been cheating on her on business trips. She is terrified he’ll leave because she’s a stay at home mother of her young daughter Hailey. She sees Anna who encourages her to get a lover to see a lawyer and to possibly leave Ben to be in her power not fear.  Hailey reluctantly dates Vince a hairdresser for Hite Fashion House who she falls for and is intimate with shortly after meeting him.  He is a single dad with a young son his wife left him for a career and man in Milan. She agrees to help him with after school care and sees him daily for dinner after with the kids.  They develop a bond and are compatible meanwhile Ben forces her tot all him if she’s been cheating and makes it clear the house will be sold.  

The Hite Fashion House gets bolder with more streamlined mod clothing making it appear more elegant still than other 70’s fashions that look like curtains made into bad suits. They foray into more great sex and learn about each other till finally they meet Kirk’s mother a gynecologist who taught him to study the female at a young age before making love to appreciate the woman’s body better.  Thusly they reveal what Kirk’s secret is to his sensitivity and wisdom towards women.

Vince has an inheritance come though from his deceased grandmother who leaves him 1.3 million dollars in stocks he caches in and surprises Heather with a house he buys for them from a troubled rival fashion design house staff friend to bail him out.  She is thrilled and so are the children. 

Keith has moved in with Anna and Gabrielle determined to stay a bachelorette visits them on occasion for friendship and great intimacy with no betrayal or lies between them agreed to.